The Case for God

I finally finished Karen Armstrong’s The Case for God. It was interesting but ultimately disappointing. Here’s a short review that I just posted on LibraryThing and Amazon:

Karen Armstrong makes no case for God and only a weak, uneven, and confused case for “God.” She clearly (and rightly) dismisses theology that treats God as merely the greatest power in existence, but ultimately fails to explain why the word or label “God” remains useful. In the final pages, where I hoped to see her “case” become clear, she only advocates what amounts to active engagement with life, mindfulness, and recognition of uncertainty. Why we need “to engage with a symbol [like "God"] imaginatively [and] become ritually and ethically involved with it” is not clear, except Armstrong claims that doing so will “allow it [the symbol] to effect a profound change in you.” (See page 321.)

Armstrong rightly points out that “God” the symbol too easily becomes God the idol, which is “one of the pitfalls of monotheism” (page 321), so why should we bother putting a label on “religious experience,” which she appears to define as “explor[ing] the normal workings of our minds and notic[ing] how frequently these propel us quite naturally into transcendence” (page 327)? And what is “transcendence” anyway? If putting words on these things creates a dangerous “pitfall,” then Armstrong has fatally undercut her case. To portray her book and her argument as being a “case for God,” she is only irresponsibly perpetuating the problem that she has spilled so much ink to reveal, not just in this book, but in several earlier ones.

It does seem quite “natural” or “normal”—perhaps a better word is “commonplace”—to recognize that we remain ignorant of the true nature of reality, but doing so while actively engaging with life and practicing mindfulness does not require having a label or a symbol like “God.” Or Armstrong, at least, has not convincingly argued that it does, which is what I expected her to do, right from the beginning of the book.

Ultimately (and unfortunately), this book follows what now appears to this reader as a clear progression in her work: writing that increasingly looks less like history, or even history of ideas, and more like roughly chronological bibliography with connective glosses here and there. It is not an argument, but a guided tour through Karen Armstrong’s reading. Taken on those terms, The Case for God is quite an interesting work. But taken on the terms by which it seems to present itself, it is a failure.